This series shows a selection from more than 1,000 pictures taken of portraits found on the tombstones in Hong Kong’s cemeteries. . These deserted cemeteries house many tiny portraits. Memorial portraits on porcelain that show the person in real life. Portraits, personal and often intimate, that were never meant to be used as a memorial. A single image selected to convey a whole life. The portraits have been isolated from the headstones on purpose. Out of the context of the cemetery and away from the idea of death. The focus lies on the portrait itself, people in their present. Over time the portraits are exposed to rain, sun, extreme temperatures and humidity. The portraits become abstract. In the end, we are left with the simple abstract beauty of the image as such. The portrait series exposes both the strength of the individual face and the perishable nature of the individual human body. The fading images reference mortality of human life, and the limitations of our impact. Subconsciously, our interest in the individual fades as the portraits become less clear. It is quietly replaced by our draw to the beauty of the abstract image. We will be remembered only by the children of our children. As the faces fade further, anonymity returns and once again we become part of nature... ad infinitum.
