Caskets and paintings, vestibules and mullioned windows, hidden symbols and secrets revealed: the magical union between women and castles evokes atavistic memories, crimes and punishments, clandestine love affair and rituals sinister in the nights of summer solstices.
Catia Mencacci approached to the photography world in 2012, as an adult. The inscription on her first photo course is a joke. Without any knowledge in photographic material and having never felt the need to take pictures before then, partecipates in early teachings without having a camera. Her interest became a real passion very early. She was mostly intersted to an impressionistic, oniric world in which the image brings the soul of the observer in a magical world: a world made of emotions and feelings such a solitude, concern and melancholy. She exposed in personal and collective exhibitions
