Transience ", constituting the title of the series is not for me as important as the process itself feminine feeling of loss. I see it at both levels. First, mental, expressing a sudden revelation changes amazement, but also the knowledge that what is personally painful it is invisible to the eye. Then flesh. Brutally awareness externality going. Eye of the camera becomes an absolute message. Registers innermost fears and the smallest terror. "Naked Truth" is accompanied by disbelief: "This is?" ... The body in her mature beauty is still housed in the canon of beauty, is part of social expectations. Others, however, are the expectations of the heroine. She knows what she wants to deprive merciless time. Yet he is not afraid, there is no reason, but senses. The idea of ​​tracking internal cracks and to show them using a conventional act seemed to me interesting, because it allows you to reach the depths of feminine nature, which is inscribed in the "stigma" of old age. Slow "loss" of the body becomes exhibition loss itself, and the private fear of losing it "insensitive snapshot" in which is provided self-critical "I" character. Symbolic of this is the last act. In this sense, the presented series is the story of a lack of illusions about the nudity is not acceptable, not Mazursky on the list of expectations. Photos in the sense of even broader, longer record of passing and chemicals to become a fashion accusation of humiliating nature.
