Dark nocturnal wooded places, light painted by hand held torches and gels. Landscapes that exist for a moment, only in segments, for then disappearing again in the darkness; a way to recall the statement ‘Omnia quae sunt, lumina sunt’ (All things that are, are lights) from the writings of the ninth-century philosopher and theologian Johannes Scotus Erigena, one of the guiding principles of the gothic concept about the relationship between the light and God himself.